Double Indemnity (1. Background. Double Indemnity (1. Billy Wilder's. classic film noir masterpiece - a cynical, witty, and sleazy thriller. The urgently- told, highly- stylized. Wilder's third film after The Major and the Minor (1. Five Graves to Cairo (1. Wilder effectively used locales in. Los Angeles area: the Glendale train station, the Hollywood Bowl. Jerry's Market,' a night- time downtown office building, a Spanish- style house. Quebec St., the protagonist's apartment at the Chateau Marmont, etc. The material for Double Indemnity was derived from 'hard- boiled'. James M. Cain's 1. Three of a Kind that first. Liberty Magazine. Luchino Visconti's. Ossessione (1. 94. It.) was an unauthorized version of Cain's work - . Another of Cain's 1. Joan Crawford - Mildred Pierce. Robinson (as. supporting actor) and Fred Mac. Murray (as lead actor) were denied Academy Award. Robinson had never received a nomination during his entire career. Their. calculated, cold- blooded scheme to brutally murder her husband for purposes. Their fraudulent, almost perfect. It was billed as . Originally, a gruesome execution scene at the end of the film. San Quentin, was cut, discarded, and replaced with its. She persuaded her. But their sloppy, conspiratorial murder. Both were convicted and. January of 1. 92. Sing Sing. It was. Escape From Crime (1. It also inspired. TV films: a 1. 95. Frank Lovejoy, Laraine Day, and Ray Collins. ABC- TV 1. 97. 3 inferior remake for its . Cobb and Richard Crenna. And the supermarket. Steve Martin's Dead. Men Don't Wear Plaid (1. The Story. Behind the credits, a silhouetted male figure on crutches. Dietrichson) during a murder plot on a train? The duplicity evident in. The vehicle. runs a red light and swerves as it barely misses a collision with a Los. Angeles Times newspaper truck. Emerging from the car, insurance salesman Walter Neff (Fred. Mac. Murray) enters an office building, moving in a way which makes it appear. He. is greeted by the night guard and elevator operator of the Pacific Building. Neff's physical condition and lack of responsiveness. They said I had something. In the elevator ride to the 1. Pacific All- Risk Insurance Company (founded 1. Neff leans against the elevator wall, somewhat in pain. He turns on the light. Wounded and bleeding from a gunshot. Neff sits in his swivel chair, loosens his tie, takes. In the form of an office memo, he explains. Claims Manager Barton Keyes (Edward G. Robinson) how he committed. Dear Keyes: I suppose you'll call. Well, I don't like the word 'confession.'. I just want to set you right about something you couldn't see because it was. You think you're such a hot potato as a Claims. Manager; such a wolf on a phony claim. But let's take a look. Dietrichson claim, Accident and Double Indemnity. You were pretty. good in there for a while, Keyes. You said it wasn't an accident. You. said it wasn't suicide. You said it was murder. You thought. you had it cold, didn't you? All wrapped up in tissue paper with pink ribbons. It was perfect - except it wasn't, because you made one mistake. When it came to picking the killer, you picked the. You want to know who killed Dietrichson? Entre las referencias que m Http:// This feature is not available right now. Please try again later. Bienvenido a muchocine.net, la comunidad cin. Hold tight to that cheap. Keyes. I killed Dietrichson - me, Walter Neff, insurance salesman. I killed. him for money and for a woman. I didn't get the money and I didn't get the. Intermittently throughout the film that is told from a fatalistic. Neff changes his voice, alternating subtly from a confession. It is significant that his insurance company, . A few months earlier at the. May (in 1. 93. 8), he had stopped in a seemingly routine call at the Dietrichson. California Spanish- style house (#4. Los Feliz Boulevard in. Glendale, California, to encourage the head of the household, Mr. Dietrichson. to renew his car- insurance policy. Dietrichson is. away, so Neff is forced to make his way past the maid Nettie (Betty Farrington). I'd hate to think of your having. When she tells him that she has been taking a sunbath, he again. I always carry my own keys. As he looks around the musty room, shaded by the slats of the venetian. Seitz), his narration describes the dusty- aired. California sunshine streaming in from the outside. There are occasional times when all the elements come together to make a great film that will stand the passing of time. 1944 en otros calendarios; Calendario gregoriano: 1944 MCMXLIV: Ab urbe condita: 2697: Calendario armenio: 1393: Calendario chino: 4640-4641: Calendario hebreo: 5704-5705. Double Indemnity (1944) is director Billy Wilder's classic film noir masterpiece - a cynical, witty, and sleazy thriller about adultery, corruption and. His eyes are drawn to. Dietrichson and his daughter by his first marriage. Lola: The living room was still stuffy from last night's cigars. The windows. were closed and the sunshine coming in through the venetian blinds showed. On the piano in a couple of fancy frames were Mr. They had a bowl of those. Davenport. But to tell you. Keyes, I wasn't a whole lot interested in goldfish right then. Mr. Dietrichson and his daughter Lola. I was. thinking about that dame upstairs and the way she had looked at me, and I. As Phyllis comes downstairs into the dark claustrophobic. Neff's point- of- view) where she wears an engraved. From behind - in. She joins him in the tawdry living room, where she looks cool. As they talk, Neff introduces himself, and discusses the lapsed. Phyllis: I hope I've got my face on straight. Neff: Perfect for my money. Phyllis: Neff is the name, isn't it? Neff: Yeah, two 'Fs,' like in Philadelphia, if you know the story. Phyllis: What story? Neff: The Philadelphia Story. Phyllis: Suppose we sit down and tell me about the insurance. My husband never. Neff: Well, it's on your two cars, the La Salle and the Plymouth. We've been. handling this insurance for Mr. Dietrichson for three years and we'd hate. After she has seated herself in a big chair in the living. Dietrichson. Phyllis smiles and uncrosses her legs and then offers an explanation why. Long Beach in the oil fields. Neff learns of competition from the Automobile. Double Indemnity 'Perdici Descargar las mejores pel. Disfruta del mejor cine infantil en peliculas21.com. Descargar las mejores pel. Disfruta del mejor cine de miedo (terror) en peliculas21.com. Directed by Billy Wilder. With Fred MacMurray, Barbara Stanwyck, Edward G. An insurance representative lets himself be talked into a murder. Club for their business, and then suggests a new 5. Pacific All- Risk collision coverage. This causes Phyllis to stop short: Phyllis: You're a smart insurance man, aren't you, Mr. Neff? Neff: Well I've been at it eleven years. Phyllis: Doing pretty well? Neff: It's a living. Phyllis: You handle just automobile insurance, or all kinds? Neff: All kinds. Fire, earthquake, theft, public liability, group insurance. Phyllis: Accident insurance? Neff: Accident insurance? Dietrichson. He notices the kinky anklet again, and then in a classic. I think I like that. Phyllis: But you're not sure. Neff: I'd have to drive it around the block a couple of times. Phyllis: (Standing up.) Mr. Neff, why don't you drop by tomorrow evening around. He'll be in then. Neff: Who? Phyllis: My husband. You were anxious to talk to him, weren't you? Neff: Yeah, I was. But I'm sort of getting over the idea, if you know what. I mean. Phyllis: There's a speed limit in this state, Mr. Neff, 4. 5 miles an hour. Neff: How fast was I going, Officer? Phyllis: I'd say around 9. Neff: Suppose you get down off your motorcycle and give me a ticket. Phyllis: Suppose I let you off with a warning this time. Neff: Suppose it doesn't take. Phyllis: Suppose I have to whack you over the knuckles. Neff: Suppose I bust out crying and put my head on your shoulder. Phyllis: Suppose you try putting it on my husband's shoulder. Neff: That tears it.. I usually am. Neff: Same chair, same perfume, same anklet? Phyllis: I wonder if I know what you mean. Neff: (Opening the entrance door.) I wonder if you wonder. After his first encounter with her, there is a clear mutual. In hindsight, Walter mostly remembers the. How could I have known that murder can sometimes smell. Maybe you would have known Keyes the minute she mentioned. I didn't. I felt like a million. Star top salesman Neff returns to the office where he works. Barton Keyes, an inflexible, expert 2. Sam Garlopis (Fortunio. Bonanova), an insured truck driver from Inglewood has submitted a claim. Keyes tells the claimant about his finely- tuned. Like Neff who carries around his own 'Keys,'. Barton Keyes possesses his own intuitive . Some of. them are phonies. And I know which ones. Because my little. Garlopis: What little man? Keyes: The little man in here. Every time one of these phonies comes along. I can't eat. One of the . Keyes. determines that the insurance claim for the truck is fraudulently phony - . Garlopis had soaked a pile of shavings with kerosene and lit them in his truck. Maybe I made a mistake. He is upset at company inefficiency. Keyes: What kind of an outfit is this, anyway? Are we an insurance. Neff: Now wait a minute, Keyes. I don't rate this beef. I clipped a note to. Garlopis application to have him thoroughly investigated before we accepted. Keyes: I know you did, Walter. I'm not beefing at you. It's. the way they do things. The way they don't do things. The way they'll. write anything just to get it down on the sales sheet. And I'm the guy that. Neff: Okay, turn the record over and let's hear the other side. Keyes: Well, I get darn sick of tryin' to pick up after a gang of fast- talking. Walter, I've had twenty- six years of this and. I - Neff: And you loved every minute of it, Keyes. You love it, only you worry. Neff understands that fast- talking Keyes is driving himself. You. wouldn't even say today's Tuesday unless you looked at the calendar. Then. you'd check to see if it was this year's or last year's calendar. Then you'd. find out who'd printed the calendar and find out if their calendar checked. World Almanac's Calendar. Although Keyes knows he has heard the truth about his style. Neff to leave his office before he throws his desk. Now get out of here before I throw my desk at you. When Keyes pats his pockets for a match and comes up empty- handed. Walter quickly lights a wooden match for his cigar (one of many such instances. He parts with a loving phrase often spoken to his cohort during. But you never fooled me with your song and. I kinda always knew that behind the cigar ashes. In his office, there is a phone message from Phyllis about the car renewals. The anklet glistens on her leg as she moves to the entrance hall to. Phyllis: Hello, Mr. Aren't you coming in? Neff: I'm considering it. Phyllis: I hope you didn't mind my changing the appointment. Last night wasn't. Neff: It's all right. I was working on my stamp collection anyway. Phyllis: I was just fixing some iced tea. Would you like a glass?
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